Tag Archives: Performance

Upcoming: CORPORA Exhibition & Performance

You are all invited to my upcoming group exhibition Corpora in Sign Gallery from April 18th to May 18th. We will show recent works, but we will also develop new works on the spot during the month. The theme is about bodies, where my interactive music installation fits nicely. As a visitor you can make music with intuitive body movements. In the weekend of May 12th/13th there is an event with performances, where I will perform with the installation and my voice.

Performance @ Winterwelvaart, Groningen

On December 16th I performed on a boat during Winterwelvaart festival in Groningen together with three singer-songwriters.

I was exited to be invited to play one of my songs with a string orchestra (JOG). Charles Belfor, a composer & cellist, made an arrangement for a string orchestra from one of my songs Rainforest Light. I was a bit nervous at first, because musically I’m not so well trained to be able to lead or guide an orchestra ;-). But luckily this wasn’t my job for this collaboration. Charles told me he was going to arrange everything, and I could let myself be surprised by the result. Which was really nice, I was curious what he would make from it. And when I got together with the orchestra, I noticed it turned out beautifully.

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Performance @ Amsterdam Art Weekend, Upstream Gallery

I was honoured when Marc Bijl invited me to perform in the midst of his exhibition “Zeitgeist” during Amsterdam Art Weekend in Upstream Gallery. His exhibition was all about the contemporary media landscape and its political diffusion. In his opinion today’s information overload in the media causes everything to be vague and blurry. Not only can I really relate to this theme, my music has the same kind of ambience, so my performance and this exhibition seemed a good fit:

During her performance on the 25th of November in Upstream Gallery during Amsterdam Art Weekend, her music will be about the contemporary abundance of information in the media, and about her personal experience with its effects. With synthesizer sounds, deep bass, beats, reverberating vocals and nature sounds, she creates an ambient, dreamy and spiritual atmosphere. By looping and distorting her voice, she gives expression to overflows, ambiguity and increasing indistinctions. (Upstream Gallery: http://www.upstreamgallery.nl/news/367/performance-by-kayleigh-beard-during-amsterdam-art-weekend)

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Helping Richard Bolhuis with Performance

Helping Richard Bolhuis with building up his performance in a church

Today I joined Richard’s team to help with his performance and see and learn from how he does things. I find his work and vision very inspiring, so I thought it could be valuable to see his ways of working.

Every year a performance by Richard is organised in a church in a small village called Oostum. It is a magical place, very beautiful, in the countryside, with a very small church.

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“To Become a Child, No More” Live @ De Nieuwe Kolk, Assen

During the opening of the exhibition “Grow” in De Nieuwe Kolk in Assen I performed a very new, unfinished work-in-progress: “To Become a Child, No More”. This exhibition is part of the ‘Work in Progress II: The Sequel’, in which groups of students from the Frank Mohr Institute work in shifts in the exhibition space and build up on the works of the other student groups.

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Performance @The World We Live In, Conservatory

During the event The World We Live In, in the Prins Claus Conservatory Groningen on May 20, I performed a 30 minute set with the songs:

  • Mutations
  • A Stranger’s Shadow
  • My Hunters Lead the Way
  • Human Dissonance
  • Beyond the Puddle

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Live Music Set @ Frank Mohr Institute

During my last WhatMatters session I was encouraged to perform more frequently. In this way I can try and experiment with things that feel right to me in my music making. I also thought it was about time to start performing more for audiences outside of the Frank Mohr institute. Besides, for a while Jip and I wanted to organise a vegan potluck event (everyone brings in food and we share it all together). We thought it was an excellent opportunity to combine these two events and this is how I gathered an audience of vegan students for my performance last Wednesday.

But during the preparations I suddenly didn’t feel comfortable anymore about this performance. First of all, I received the comment from people who know my music: “your music is not suitable as some dinner background tunes.” Moreover, the setting was a bit strange, because my audience was attending because of the dinner, not necessarily because of the music. I started feeling really awkward because of this. But I told myself it would be a good opportunity to practice regularly and try out a new thing for me:

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Music Makers Hacklab (CTM Festival Berlin 2017)

From the 30th of January until the 5nd of February I participated in the annual “Music Makers Hacklab” in Berlin, as part of Club TransMediale Festival (CTM). The hacklab was facilitated by artists Byrke Lou and Peter Kirn, and was hosted by Native Instruments. “The hacklab is a collaborative, improvisatory, experimental environment for working together to conceive and realise new ideas in a week of intensive activity.”

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Studio Visit Jan Klug & Ruud Akse

Studio Visit Jan Klug & Ruud Akse

Ruud: “Heb je een demo?”

Ik zei dat ik meer m’n studio uit wil en optreden. Maar ik heb geen voorbeeld. Eerst op FMI kristalliseren wat mijn performance in gaat houden. Wie ben ik? Wat il ik laten zien? Of wat wil ik zeggen? Hou het bij. Schrijf op wat je uit probeert en trek conclusies. Bewijs van je proces, zodat Jan en Ruud iets hebben om feedback op te geven .Een goede manier is sessie reflectie. Na elke performance/jam (opnemen!) kritisch terug kijken en reflecteren waarom je iets deed. Voelde het goed? Ben ik het? Zo kun je jezelf snappen en evt. verbeteren. Dus op FMI dingen uitproberen, er zijn ook tussenvormen. Zoals avonden waar ook ruimte is voor experiment: Gym & Random Collision.

Andere dingen uitproberen, zoals visuals: prima, maar hou de ziel in de muziek. Het hoeft ook niet heel ingewikkeld te zijn als het maar niet allen als “versiering” gaat dienen.

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