I made interactive gloves and software that records the body position with the Kinect and translates that to musical information. With this system / musical instrument I play synthesizer sounds and a virtual violin, loop my voice and other sounds, and control effects.
Components: gloves with microcomputer ESP32 and capacitive touch, Kinect, Max/MSP, Ableton Live.
Continue reading Performance “Pollution of Today”
Still interested in body and movement. Longing for more precision: gloves in combination with Kinect? It’s always a search for a balance between freedom and restriction. What is authentic? Pre-recorded samples?
Continue reading Studio Visit Jan Klug
In order to get my research structured, I wrote a paper in a way I got used to during my former university degree at the VU in Amsterdam. In this article I describe the theoretical background and practical development of my interactive music systems that attempt to embrace intuition, body and movement in musical practice and experience.
The installation Our Harmony is a result of a collaboration between me and two master students from ‘New Audiences and Innovative Practices’ (NAIP) from the conservatory: Kim Bosch and Stefan Kirschbaum. For several months NAIP students and MADtech students had been collaborating to create a one day experimental music festival that we in the end called Hotch Potch. So during this festival on May 13, 2017, many visitors were walking in and out of Our Harmony. By moving their shared position people could trigger sounds and music. Only in collaboration they could really move the music. During performances, the audience was also able to interact with live musicians, and create an atmosphere together.
Continue reading “Our Harmony”, an interactive music installation @Hotch Potch Festival
For a while I have dreamed to be able to play the cello. What a beautiful instrument. I searched for classes, but ended up not taking them because I didn’t have the money, time, and energy for it. I wanted to focus fully on performing, singing and composition. But this wish, and my love for the timbre of the cello didn’t go away. What if I could quickly build an intuitive instrument for myself, so that I could be able to express myself with something that comes close to a cello?
Continue reading Phone Cello Experiment
I am really enthusiastic about the concepts of involving the audience in a music performance and allowing people to create music together in an intuitive way (without needing music knowledge). That’s why I started to play around with the Kinect, to track how people walk in a space, and let their movements create music. (this fascination with movement to music seems to relate to a previous project of mine: TardiSpaces)
1. One person = one instrument
Continue reading Experiments with Music by People in Space (Kinect)