During the graduation show Headliners 2018 (Masters of the Frank Mohr Insitute), I performed daily with my electronic gloves and Kinect in the former sugar factory in Groningen.
I want to thank SIGN for inviting me for their exhibition Corpora, which took place from the 18th of April until the 18th of May 2018.
For the exhibition I showed my installation in which the visitor could make music with intuitive body movements:
You are all invited to my upcoming group exhibition Corpora in Sign Gallery from April 18th to May 18th. We will show recent works, but we will also develop new works on the spot during the month. The theme is about bodies, where my interactive music installation fits nicely. As a visitor you can make music with intuitive body movements. In the weekend of May 12th/13th there is an event with performances, where I will perform with the installation and my voice.
I have a strong feeling that I don’t want to make money with my art. My art making comes from a form of passion, joy and spontaneity. And when I would force it to create a stable income for myself, I’m afraid this pressure would destroy all of that.
| “Making money is not that hard, don’t place a burden on your precious art.” – Elizabeth Gilbert
I made interactive gloves and software that records the body position with the Kinect and translates that to musical information. With this system / musical instrument I play synthesizer sounds and a virtual violin, loop my voice and other sounds, and control effects.
Components: gloves with microcomputer ESP32 and capacitive touch, Kinect, Max/MSP, Ableton Live.
Still interested in body and movement. Longing for more precision: gloves in combination with Kinect? It’s always a search for a balance between freedom and restriction. What is authentic? Pre-recorded samples?
In order to get my research structured, I wrote a paper in a way I got used to during my former university degree at the VU in Amsterdam. In this article I describe the theoretical background and practical development of my interactive music systems that attempt to embrace intuition, body and movement in musical practice and experience.
On september 29th, I demonstrated a work-in-progress version of my newly built instrument at Healthy Ageing festival in Groningen. I experimented with translating body movements to violin sounds. With the installation / musical instrument that I demonstrated on the festival, people could play a virtual violin with arm movements, and trigger background ambience with body position.
This experiment came out of my interest to make music with intuitive body movements, similar to my previous works Our Harmony and Phone Cello. I built this instrument with Kinect, Delicode_NI_Mate, Max 7, and Ableton Live 9.