Wow, I forgot to mention in my previous post that MU has given me the opportunity to create two new Web Spaces in solid metal: Google.com and YouTube.com. Especially for the Materialising the Internet exhibition! They weigh about 1KG each and are printed with steel powder infused with bronze. The weight really adds to the experience of holding and touching the objects. What a shame they’re behind plexiglas! Haha.
It’s always a challenge to create Web Spaces – 3D printed Web Pages. The architecture of web pages isn’t meant to exist in the physical world. So when materialising these complex structures, physics (like gravity) starts to play a role! Therefore the materials and techniques used to produce Web Spaces must be carefully chosen. I’ve been experimenting with lots of different techniques (most of them involving 3D printing) for one and a half year now, to get these Web Spaces materialised perfectly.
I’m really proud to have been part of the exhibition Materialising the Internet curated by Nadine Roestenburg & Angelique Spaninks at MU artspace in Eindhoven. From October 6 to November 12 and during the Dutch Design Week my work was displayed in a darkened room. A spotlight made my 3D printed Web Spaces in precious metal shine, and the huge cinema projector made it seem as if you could really enter the world of Web Spaces.
In the video above some of the artists talk about their fascination with the internet, digital spirituality and digital materiality. It gives a good impression of the exhibition. Down below you can read what We make money not art wrote about my work in the show:
Because lately I feel overwhelmed by the media and all the (technological) possibilities of today, I wanted to go back to the essence for me: music. Before the feedback session I was wondering what to show: music, and what more? What can I add? But then I realised: why join into overstimulating people if I don’t believe in that? While I think that nowadays we need more moments of peace and quiet? Aren’t we constantly overthinking and overanalysing?
I was honoured when Marc Bijl invited me to perform in the midst of his exhibition “Zeitgeist” during Amsterdam Art Weekend in Upstream Gallery. His exhibition was all about the contemporary media landscape and its political diffusion. In his opinion today’s information overload in the media causes everything to be vague and blurry. Not only can I really relate to this theme, my music has the same kind of ambience, so my performance and this exhibition seemed a good fit:
During her performance on the 25th of November in Upstream Gallery during Amsterdam Art Weekend, her music will be about the contemporary abundance of information in the media, and about her personal experience with its effects. With synthesizer sounds, deep bass, beats, reverberating vocals and nature sounds, she creates an ambient, dreamy and spiritual atmosphere. By looping and distorting her voice, she gives expression to overflows, ambiguity and increasing indistinctions. (Upstream Gallery: http://www.upstreamgallery.nl/news/367/performance-by-kayleigh-beard-during-amsterdam-art-weekend)
In order to get my research structured, I wrote a paper in a way I got used to during my former university degree at the VU in Amsterdam. In this article I describe the theoretical background and practical development of my interactive music systems that attempt to embrace intuition, body and movement in musical practice and experience.
On November 8th 2017 I performed a set of half an hour at Grand Theatre, as part of Sounds of Music festival. First I started with Iets Paars with Desta Matla, then I continued with my own music.
However, afterwards I had a bad feeling about this performance for many reasons. It all started being ill. I caught the flu two days before the performance and my voice suffered from it as well. And I started worrying a lot about it. So I didn’t only feel sick, I was also super stressed out, which really didn’t help. Also on the day of the performance I felt like lying in bed. But I wanted to do the performance anyway, so with this ill and stressed out vibe I started setting up. What then happened in short: I communicated badly with the organisation of the festival, I forgot many things, made bad decisions and carried a negative energy with me. And because of all this, I didn’t even feel like performing. And I think this was audible in my music (together with my weak sick voice).
Quoting my girlfriend: “It’s quite a an honour that you’ve won this award, because there’s a lot of impressive work in this exhibition! And I agree with that. The SBK Sprouts Young Talents 2017 exhibition is a diverse and interesting selection of 50 graduates from the Dutch art academies. What set me apart in this show according to the jury is the fact that I’m showing a lot, using different media: print, 3D print, screen based interactive installation and text. This is to ensure the whole story and research behind Web Spaces comes across. To make my world more accessible for the audience. Also, I was complimented for being able to talk ‘deliciously’ about what I’m doing and for making work capturing the Zeitgeist.
On september 29th, I demonstrated a work-in-progress version of my newly built instrument at Healthy Ageing festival in Groningen. I experimented with translating body movements to violin sounds. With the installation / musical instrument that I demonstrated on the festival, people could play a virtual violin with arm movements, and trigger background ambience with body position.
This experiment came out of my interest to make music with intuitive body movements, similar to my previous works Our Harmony and Phone Cello. I built this instrument with Kinect, Delicode_NI_Mate, Max 7, and Ableton Live 9.
On September 24th, I performed at DOT in Groningen. It was a nice sunny day, so me and several other musicians performed outside on a terrace.
However, I felt uncomfortable in this setting. People were enjoying the sun, all of them having loud conversations. Many children playing. And I was there, making noise, disturbing their conversations in the sun. The other musicians were mostly songwriters with guitars and sometimes with violinists. What they did felt like it suited the nice and sunny day with the people on the terrace. But my music has deep bass, sometimes heavy emotions, and beats, and doesn’t suit that vibe at all. I just felt out of place, and couldn’t get my message / feeling across. It felt like a nice and sunny entertainment event, which is not a bad thing. But it just feels like I should have brought my guitar, and sung songs about lost boyfriends, and make remarks about good beer, but that’s not my thing. Lesson learnt: learn more about the event, environment, and the type of audience. And even though some people view me as a singer songwriter, I think I don’t fit in an event between singer songwriters.
Helping Richard Bolhuis with building up his performance in a church
Today I joined Richard’s team to help with his performance and see and learn from how he does things. I find his work and vision very inspiring, so I thought it could be valuable to see his ways of working.
Every year a performance by Richard is organised in a church in a small village called Oostum. It is a magical place, very beautiful, in the countryside, with a very small church.